Cory Wong Talks About His Influences, Premieres “Bluebird” Featuring Chris Thile

When Minneapolis-based masterful guitar player, Cory Wong, was a young person, he was already dedicated to music. So much so that on weekends, he would bring his guitar and amplifier to school and, after classes, he would take a different bus home with a friend where the two would rehearse and practice their instruments and watch MTV music videos all night. The next morning, the two would wake up and play music all day and on Sunday, Wong’s parents would pick him up to go back home. This is but one example of Wong’s lifelong devotion to music and one of many reasons why his songs are both deeply nuanced and joyous. As evidenced by his most recent release, Dusk, and also his forthcoming release, Dawn, on which appears the new single, “Bluebird,” which we’re happy to premiere here today.

“I don’t know how my parents or my friend’s parents let us do that,” Wong says, with a laugh. “They were just down with it!”

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William Cashion Discusses Evolution From Future Islands Letterman Appearance To Solo Debut, 'Postcard Music'

If you can spare the four minutes, or so, that it takes to watch Future Islands perform on David Letterman from 2014, you’ll likely find it delightful, extraordinary. It also changed the lives of the Baltimore-based band’s members in ways the group could never have imagined. Ever since, Future Islands has gone on lengthy tours and amassed hundreds of thousands of fans. But the success has also allowed for the band’s members the freedom in their down time to explore other creative impulses and dig into new creative goals. The result for the group’s bassist, William Cashion, was the June release of his debut solo record, Postcard Music, a collection of ambient song. And American Songwriter is proud to premiere the video for the record’s single, “Vizcaya,” here today.

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Portugal. the Man Speaks on Music, Portland, Launching the PTM Foundation, and Indigenous People

By now, you’ve likely heard the music of the Portland-via-Alaska-based band, Portugal. the Man. The group has a number of hits, but their most ubiquitous is, “Feel It Still,” which seemed to run the world for months on end in 2017. To date, the song’s video has racked up nearly 300 million YouTube views. But what you might not have heard is the poignancy and urgency with which the band’s front man, John Baldwin Gourley, speaks about very real and very serious problems – namely, those that have to do with the treatment of indigenous people and the general welfare of the human race.

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HANNIBAL BURESS AND FLYING LOTUS SWEAT THE DETAILS

Watching comedian Hannibal Buress’s latest special, Miami Nights, which he released on YouTube a few weeks ago, one notices new subtleties in the comedian’s practice. Buress has that glint in his eye, like the comedy greats. In conversation, it’s there too; he remains curious and inquisitive. He wants to know more, and not just the tricks of his own trade. Buress is diving into tech and music, which is likely he wanted to join his friend, the producer Steven Ellison (Flying Lotus), here. Ellison, who’s worked with Adult Swim for years creating bumps and beats for the TV channel, is a keen thinker and detail-oriented musician who has risen to fame with his surreal sense of sound. We caught up with both Buress and Ellison to talk about making Miami Nights, Buress’s new foray into songwriting, Ellison’s experience working with Dr. Dre, and more.

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Donita Sparks of L7 on Her New Web Series “The Hi-Low Show”

Donita Sparks always catches your eye. Whether she’s on stage playing her smirking brand of rock ‘n’ roll in her notorious group, L7, or if she’s creating her beloved new web series, The Hi-Low Show, Sparks is often bright, flashy and oddly memorable. Her new series is a blender-mixed collection of rock videos, skits, found footage, and whatever else Sparks can slice up and slide into the recipe. L7, which was often grouped into the grunge gaggle in the ’90s and was signed for a time to the infamous Sub Pop record label, released a new record in 2019, Scatter the Rats, which hits as hard as any in the band’s collection. We caught up with Sparks to talk about her origins in music, what it’s like to produce her bizarre new web show and why she likes to infuse a subversive quality into much of what she creates.

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Glass Animals Discuss What Helped Form 16-track Record, ‘Dreamland’

London-based singer-songwriter and producer, Dave Bayley, front man for the electronic group, Glass Animals, remembers spending formative years in a small Texas town, huddled at night around a radio that offered just a few channels. Luckily, for Bayley, one of the stations played classic Hip-Hop songs from artists like Missy Elliot, Dr. Dre, Eminem and, perhaps most importantly, the producer, Timbaland. These songs opened Bayley’s mind to new musical sounds and possibilities. Raised on groups like Talking Heads, The Beatles, Nina Simone and Bob Marley from his parents, Bayley says he became consumed by all of it. And each of these influences appears on the forthcoming Glass Animals record, Dreamland, slated for release August 7th.

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Nissim Black Opens Up On New Music, Being “Hitler’s Worst Nightmare”

Rapper, Nissim Black (born Damian Jamohl Black), is a deep-thinking, philosophical artist with a wide range of experience, interests and fans. Black, who was born and raised in Seattle, Washington, had gone through a number of transitions in his life, from religious to professional to even moving from the United States to live today in Israel. Black, who, smirking, refers to himself as “Hitler’s Worst Nightmare,” is an important person in today’s rapidly changing world. A devout Orthodox Jew, Black is a student of theology as much as he is a student of raps and lyricism. Part-RUN DMC, part-Rabi, Black, who recently released songs like “Mothaland Bounce” and “Best Friend” that have earned over five-million YouTube views combined, has a voice worth listening to in many arenas and on many stages.

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Mark Duplass and Julian Wass on the Final Season of HBO’s “Room 104”

HBO’s anthology series, Room 104, which debuted July 28, 2017, is premiering for likely its final season tonight (July 24). The series, which tracks the happenings of all kinds in a typical American hotel room, was created by Mark and Jay Duplass (aka the Duplass Brothers production team) and has featured guest stars like James Van Der Beek, Rainn Wilson, Mahershala Ali, Luke Wilson and Charlyne Yi. Escapades have centered on self-mutilation, boxing matches, dance-offs, awkward dating scenarios, and much more. Room 104 is truly a different bird in the flock of television programs. There are no recurring characters or plots—the only constant is the room, its two beds, bathroom, television, and single door. We caught up with show creator, Mark Duplass, and his colleague, Julian Wass, who has scored, written, and directed episodes. Together, we talked about the family tree that Room 104 has grown into, how episodes are pitched, and what it takes to create a successful show.

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Rebelution Funnels Vibe and Audience Connections Into Writing and Creating

Eric Rachmany, front man for the wildly popular reggae-rock group, Rebelution, remembers being in school as a young person and feeling terrified. The songwriter, who plays in front of multiple thousands of people at any given gig today, says he would get nervous when he had to speak in front of the class. So much so that he’d try and memorize his reports word-for-word. Now, years later, Rachmany is comfortable in front of a crowd. He’s embraced the space that’s his within any Rebelution show. As a result, his group has garnered hundreds of thousands of fans from all over the world. Rebelution will surely grow in followers given the release of its latest LP, Dub Collection, which hit stands and streams last Friday.

“I learned through performing to get into the art,” Rachmany says. “When you do that, you can really put on a show. People can tell when you’re into it and when you’re not. That’s the beauty of art and of expressing yourself. It’s such a great feeling to let go and give it your all.”

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The Naked and Famous Share Tons of Details About Writing, Growth, Positivity of ‘Recover’

Los Angeles-based Indie electronic band, The Naked and Famous, which was founded by Alisa Xayalith and Thom Powers, makes music that turns the paint on your walls to candy. The band, which released its latest LP, Recover, today, makes big, oceanic compositions with bright crests and at-times chilling sonic valleys. But, due to their years together and the close relationship that time has engendered, the band’s music can also be pared down to its bones and stand sturdy with simply two harmonizing voices and an electric guitar. From head-to-toe, The Naked and Famous, which was originally formed in Auckland, New Zealand, but now resides in the City of Angels, has created a formidable body of work.

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Courtney Marie Andrews Shares What Went Into Making ‘Old Flowers’

We’ve all experienced it at least once. Looking at a vase or bouquet of old, dried flowers that were once lovely and knowing they must go. Often, it comes with a moment of sad reflection. The flowers were once – recently! – so tremendously beautiful. Their bloom, perfume. But now, without roots, they’ve gone brittle and died out. For Nashville-based singer-songwriter, Courtney Marie Andrews, this experience is also a metaphor for lost romantic love, which is why the musician titled her forthcoming album, Old Flowers (set for release July 24th, read our review), and why she sings of them forlornly on the album’s title track.

Old Flowers is a relationship album,” Andrews says, “a breakup record. It’s telling the tale of a relationship and letting it go – or, trying to, at least. Old flowers signify love, for me. They were once in full bloom, beautiful at one time. Now they’ve wilted. But that doesn’t make the past any less magical. They can still be memories to keep between the pages of your favorite book.”

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Mickey Leigh Talks Ramones, the CBGB, and New Music

Musician and writer, Mickey Leigh, is a walking library. Leigh, who is the younger brother of famed Ramones front man, Joey Ramone, grew up steeped in music. Rock ‘n’ roll would play on the radio during breakfast. Leigh and his brother bonded over the Beatles and other prominent bands during their childhood together in the 1960s. Later, though, Leigh, living in New York City, would undergo a wild drug bust and see firsthand the oddities that come when dealing with the FBI and DEA. Most importantly, though, Leigh saw that there are two systems of justice, one for those who have money and one for those who don’t. And this is the subject of the artist’s recent single (and music vide), “Two Kinds Of Law.”

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The Origins of Breaking with Its Biggest Name, Crazy Legs

Throughout the history of American art, there are certain people everyone knows by a single name: Madonna, Beyoncé. Others, like Slash or Prince, are known for their catchy given nicknames. But the artist that takes the proverbial cake with a nickname above all nicknames is the one and only breaker, Crazy Legs. Born Richard Colón, Crazy Legs is an inventor and one of the country’s most recognized and prolific dancers. Crazy Legs help invent breaking (or dancing dynamically to hip-hop music). He was there from the virtual beginning in the mid-to late-70s and beyond. Crazy Legs, who appears in popular movies like Flash Dance and Wild Style, has also appeared on Late Night television shows and traveled the world spreading hip-hop culture.

More recently, Crazy Legs and pioneering rapper, Kurtis Blow, are currently celebrating the 40th anniversary of Blow’s seminal song, “The Breaks,” first released in 1980. The track, which is a tribute to breakers in the South Bronx, helped cement the art form worldwide through verse. On Thursday, June 25th, Blow and Legs appeared on the Red Bull Dance Instagram channel to commemorate the song’s release. We caught up with Crazy Legs, a proud Puerto Rican-American, to ask him about his early days with the Rock Steady Crew, what it was like spreading dance across the world, how he got his nickname and much more.

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Left at London Shares What Went Into “Do You See Us” and “As Blue As A Bruise”

Seattle musician, Nat Puff (aka Left at London), creates music that sounds like it was poured from the pitcher of her heart. Blood, sweat and tears saturate the artist’s songs, which have raised eyebrows and earned the attention from the prominent Emerald City radio station, KEXP 90.3, and fans around the world. Puff, who has a loyal and passionate fan base, burst into public consciousness in 2018 with her Transgender Street Legend Vol. 1 EP, which included the hit, “Revolution Lover.” Left at London also released The Purple Heart EP in 2018, which boasted the earworm, “Felt Like I Had Died.” We caught up with the songwriter to talk about her most recent singles, “Do You See Us (feat. NOBI)” and “As Blue As A Bruise,” which we are also happy to premiere here today.

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Star Kitchen Discusses New Project, Premieres “Entirely”

Prolific bassist, Marc Brownstein, remembers the day John Lennon died. Brownstein, now 47, grew up in New York City. And on December 8th, 1980, he remembers the news and the outpouring of emotion that stemmed from the murder of the Beatles legend. He saw people flood the streets, make signs, talk on the news. Odd as it may seem, the multitude of responses propelled Brownstein to investigate music more. Whatever could provoke this amount of response had to be powerful. Soon, Brownstein became a Beatles fantastic, diving into their complexities. And his adoration for music continues today with his new funk project, Star Kitchen, which is set to release its debut single, “Entirely,” here with American Songwriter.

“I’d never seen anything like that before,” Brownstein says. “Seeing the responses got me interested in the Beatles’ music. I wanted to know what was behind all those people pouring into the streets to celebrate somebody’s life. So, I asked my parents for some Beatles music to understand those emotions.”

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