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Adam Thompson, front man for the Scottish rock band, We Were Promised Jetpacks, recently developed a new trick for dealing with the often-unsettling post-show doldrums. As a touring band, Thompson and crew traveled a lot pre pandemic, often for upwards of six-to-eight months at a time. And after each show, the front man would often stay in his head sweating the small details that might have gone wrong on stage. This, though, he found, only compounded any actual issue. So, Thompson decided to visit the merch stand after gigs and talk to the people that came to see the band. The result, he says, has been night and day for Thompson, whose group released their latest EP, Out Of Interest, in June.

Musician Matthew Russell, member of the wildly popular electronic group, Cheat Codes, remembers being broke at 19-years-old. He’d recently moved to Los Angeles from St. Louis to pursue his dream of producing records. He’d also just dropped out of college. He’d enrolled to study music production but after learning it would be two years of general classes before he could touch Pro Tools, he quit. But walking the boulevards of L.A., he had an idea. He went into a bank, applied for a $10,000 loan, got it and bought his own equipment. He began learning from friends and YouTube tutorials. At the time, he was banking on hope. That bet would pay off as his soon-to-be trio would release songs that would earn millions of streams worldwide, including the band’s latest, “Heaven.”

Nancy Wilson’s very first guitar was rented. The slashing six-string player, who rose to great fame along with her sister, Ann, in the rock ‘n’ roll band, Heart, had to struggle mightily with her first guitar. But it didn’t much matter. Nancy, who, upon laying eyes on The Beatles on television during their famed spot on the Ed Sullivan show, needed more than anything else to play a guitar. Whether it was old, beat up, out of shape, damn near impossible to play – that was ancillary. What mattered was the guitar. And today, in many ways, that’s still what matters for Nancy, who continues to write and record and, when not hampered by a pandemic, tour with her Hall of Fame band.

Australian singer-songwriter, Angus Stone, remembers falling asleep under tables as a child at weddings. His father, a professional wedding singer, would bring Stone and his sister, Julia, to gigs. And as the nights drew on, the siblings would find a spot and curl up, hidden by the long draped tablecloth linens, and dream as the band played. Absorbing the celebratory sonic energy waves that way meant it was likely just a matter of time before Stone (and his sister) would go on to follow in father’s footsteps – not as a wedding singer, necessarily, but certainly as a performer and songwriter. Today, Stone has released his latest offering, the new single, “Every Day A Holiday,” under his most recent moniker, Dope Lemon.

When Minneapolis-based masterful guitar player, Cory Wong, was a young person, he was already dedicated to music. So much so that on weekends, he would bring his guitar and amplifier to school and, after classes, he would take a different bus home with a friend where the two would rehearse and practice their instruments and watch MTV music videos all night. The next morning, the two would wake up and play music all day and on Sunday, Wong’s parents would pick him up to go back home. This is but one example of Wong’s lifelong devotion to music and one of many reasons why his songs are both deeply nuanced and joyous. As evidenced by his most recent release, Dusk, and also his forthcoming release, Dawn, on which appears the new single, “Bluebird,” which we’re happy to premiere here today.

“I don’t know how my parents or my friend’s parents let us do that,” Wong says, with a laugh. “They were just down with it!”

If you can spare the four minutes, or so, that it takes to watch Future Islands perform on David Letterman from 2014, you’ll likely find it delightful, extraordinary. It also changed the lives of the Baltimore-based band’s members in ways the group could never have imagined. Ever since, Future Islands has gone on lengthy tours and amassed hundreds of thousands of fans. But the success has also allowed for the band’s members the freedom in their down time to explore other creative impulses and dig into new creative goals. The result for the group’s bassist, William Cashion, was the June release of his debut solo record, Postcard Music, a collection of ambient song. And American Songwriter is proud to premiere the video for the record’s single, “Vizcaya,” here today.

London-based singer-songwriter and producer, Dave Bayley, front man for the electronic group, Glass Animals, remembers spending formative years in a small Texas town, huddled at night around a radio that offered just a few channels. Luckily, for Bayley, one of the stations played classic Hip-Hop songs from artists like Missy Elliot, Dr. Dre, Eminem and, perhaps most importantly, the producer, Timbaland. These songs opened Bayley’s mind to new musical sounds and possibilities. Raised on groups like Talking Heads, The Beatles, Nina Simone and Bob Marley from his parents, Bayley says he became consumed by all of it. And each of these influences appears on the forthcoming Glass Animals record, Dreamland, slated for release August 7th.