Terrace Martin Shares Influence of Snoop, Love, What Inspires Dinner Party Music

Los Angeles-based musician-producer-songwriter, Terrace Martin, didn’t grow up in a safe place. Born in 1978, Martin came up in very dangerous areas of Southern California. He was forced to make his own safe places, while never truly feeling protected. Music became his safe place. It became his time machine, too. It became the keyhole through which the entire universe began to unfold. It was also the thing that bonded him with now longtime friend and collaborator, Snoop Dogg. Martin met the rapper over 22 years ago. Ever since, they’ve held together through love of life and song. This shared, heartening bond is the hearth that continues to warm Martin’s creative soul. It is the furnace for his speeding locomotive of production. And it was the model for the musical supergroup he co-founded – Dinner Party – and the band’s latest album, Dessert.

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9th Wonder Discusses Dinner Party, His Pursuit of Happiness

Many music fans can remember where they were when rumors of Jay Z’s The Black Album began to swirl on early blogs in 2003. One of the most notable aspects of that particular record’s announcement was the inclusion of the then-underground producer, 9th Wonder (born Patrick Denard Douthit). At the time, Jay Z was one of the biggest names in entertainment (still is). For the rapper to reach to the underground to bring up 9th Wonder was remarkable – a bridge to a new generation’s sound. Ever since, 9th Wonder’s career has taken off. His appreciation for music validated by fans all over the world. But, perhaps first and foremost, that validation began with family – his mother, his older brother. And that familial inspiration continues to permeate 9th Wonder’s music today, including in the songs he makes in the supergroup, Dinner Party, which released its latest record, Dessert, on Friday.

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Savannah Cristina Starts in One Place and Ends in Revolution

Today, important notions of mental health, support systems and self-love are in the public consciousness more and more. And rightly so. As they say, you can’t put someone else’s oxygen mask on without first putting on your own. Miami, Florida-based R&B artist, Savannah Cristina, has taken that idea to new and scintillating heights. Cristina, who released her anticipated EP, Self-Care, earlier this month, thinks of her songs like contained, miniature therapy sessions. Instead of paying someone for a 30-minute Zoom consultation, Cristina says, just put on one of her new tracks and lose yourself in the necessary revelations and the repetitions of self-confidence and personal appreciation.

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Casey Abrams Discusses Teaming With Cyndi Lauper for Reimagining of “Eve of Destruction”

For Idyllwild, California-based songwriter and former American Idol contestant, Casey Abrams, music can often induce a good cry. Just the other day, the artist was driving and tears filled his eyes as he listened to Sixpence None The Richer’s “There She Goes,” The Beatles’ “Yesterday” and Iron & Wine’s “Naked as We Came.” Once the emotions have run their course, Abrams says, he feels renewed, refreshed. Ready. For the musician, much (if not all) of life is about vibrations. We are vibrations. Music is vibrations. Light is vibrations. So, to be alive is to engage in the interplay of vibrations. And these waves can summon passionate emotions and feelings, just like in his latest single: a reimagined cover of “Eve of Destruction,” which features the legendary songwriter, Cyndi Lauper, and is out today.

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Future Islands Shares How Shows Helped Shape The Music, Discusses ‘As Long As You Are’

In art school as a college student, Sam Herring, front man for the Baltimore-based post-wave band, Future Islands, studied sculpture and stage performance. He was a conceptual and performance artist. But – maybe it was laziness, he says, maybe it was the Mary Jane – his work wasn’t taking him where he wanted to go. His sculptures weren’t of Michelangelo’s caliber. But he had a revelation. Herring combined the two subjects. He began to, in a philosophical manner, consider himself to be his clay. The body was the sculpture. He adopted a bombastic stage persona, “Art Lord,” striking Shakespearean poses (or jokingly doing the “Robot” dance). He started a band with good friends. He gesticulated wildly. It worked. The local bars – and then the world – noticed. Now, his group is set to release its highly anticipated sixth LP, As Long As You Are, on October 9th.

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Summer Walker Is In It For The Songs She Loves To Make

Atlanta-based artist, Summer Walker, is all about the process of making music. Attention from journalists? Eh, whatever. Accolades and fame? Sure. She’ll take it if she has to, but she doesn’t strive for it. Instead, what Walker wants is the freedom to continue to make more music, to invest in the muse and simply write. Which is why her 2019 LP, Over It, is so aptly titled. Walker, who’s worked many odd jobs to support herself (including stripper, while also teaching herself guitar in off hours), has put in the time and made the sacrifices. Walker has also seen what a life without music at its center may lead to and she wants none of it for herself. Instead, she’ll continue to coyly and expertly write her songs, perform on massive stages (digitally and in-person, when allowed) and grow her passion. We caught up with the creative mind to ask her how she came to love music, how she found her band mates and why she always seems so in-charge.

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Lachi Gained Confidence Through Music, Now She Is Pacing EDM in NYC

If you’d only just met her, it might be hard for you to believe that accomplished New York City-based EDM singer and songwriter, Lachi, grew up shy. The charming, loquacious, effervescent personality, who can soar and glide on a dance track, grew up quiet, resigned. She didn’t always want the spotlight on her but today she’s making up for lost time with enough sonic power and force to get any other like-minded wallflowers within earshot out of their chairs or off their relaxed poses and onto the dance floor to show their stuff. Lachi’s latest musical endeavor is the perceptive, candy-sticky track, “Messages,” which we’re happy to premiere here.

“It wasn’t until college that I opened up,” Lachi says. “I gained confidence through joining different music groups and sharing my talent.”

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Heather Trost Discusses, Premieres New Track “Jump Into the Fire”

Every morning, Albuquerque-based songwriter, Heather Trost, puts on a new record to fill her home with sound. It’s a habit she and her husband, Jeremy Barnes, who plays in the band, Neutral Milk Hotel, have started and sustained during the months of quarantine. But it’s also one borne of a life enriched early on by music. Trost, whose parents regularly played albums in the house growing up, learned to love vinyls from Bach or The Beatles. Now, she and her hubby, spin an array. Each one is like a bridge or portal to another space. This idea delights Trost, who relishes delving into sonic textures, as evidenced by her latest single, “Jump Into the Fire,” which we’re happy to premiere today. The song, which dances and splashes, is from her forthcoming LP, Petrichor, out November 6th on Third Man Records.

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Writer Kathryn Robson on the Sex Shop, Circus of Books, and the Titillating Documentary It Inspired

Surfing through the glorious abundance of Netflx the other day, I chanced upon a fabulous movie about something unexpectedly entertaining: a bookstore. Thankfully, I clicked on the movie and watched it end-to-end in one sitting. That movie? Circus of Books.

The documentary, which debuted at the Tribeca Film Festival on April 26, 2019, tracks the life and times of the bookstore, which was the biggest distributor of gay and lesbian pornography anywhere in the United States. The shop, run by a cute little straight couple, helped change the world and offered a place for queer folks in Los Angeles to congregate, communicate, and grow (as well as indulge in some lustful behavior behind the shop).

We caught up with Kathryn Robson, who co-wrote the film (it was directed by Rachel Mason, daughter of the shop’s owners). Robson, who helped craft and edit the movie’s narrative, talked about how she got involved in the documentary, what she appreciates about both sex and pornography, and what, above all else, she loves about telling stories.

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Kurt Vile Talks About His Latest, ‘Speed, Sound, Lonely KV’

At a young age, records transported Kurt Vile. The soon-to-be professional songwriter would, as a kid, play his father’s albums over and over again. There were standards like John Denver but there was also the personal favorite, Rusty and Doug, two brothers who recorded mostly in the 1950s. Vile loved their brand of Louisiana-infused early rock ‘n’ roll. Listening to his dad’s albums, Vile would imagine he was a singer in the bands. Those early, foggy memories were, in actuality, some of the earliest proverbial building blocks of Vile’s creative and musical foundation. From there, he would go on to co-found the band, The War on Drugs, and build a fruitful solo career, which continues with the release of his latest EP, Speed, Sound, Lonely KV, which was released Friday.

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Stone Gossard Discusses Painted Shield, Which Feels like NIN, Beck, and His Work With Pearl Jam

For Stone Gossard, co-founder of the Hall of Fame rock ‘n’ roll band, Pearl Jam, there is magic in music. And especially so when that music is forged in a group setting. Gossard, who recently founded the new rock project, Painted Shield, with the acclaimed Honolulu-born songwriter, Mason Jennings, appreciates when the sum of the parts in a band transcends the specific individuals. When that happens, Gossard knows the joyous-yet-unexplainable mystery of great music is present. For decades, this dynamic has been the guiding light for the former grunge icon. Now, Gossard and Jennings are bringing that same buoyant, collaborative sensibility to their new rock band, which will release its debut self-titled record on November 27th.

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Bethany Thomas, Tawny Newsome Discuss ‘Material Flats,’ An Album Purely Their Own

When singer-actor-artist, Bethany Thomas, left Chicago to drive to California’s Mojave Desert to collaborate with singer-actor-comedian, Tawny Newsome, to record the music that would soon become the new co-produced LP, Material Flats, her home city of Chicago was on fire. It was the first week of June, a city tired of quarantine and systematic racism erupted – along with many others across the globe. But when Thomas met up with Newsome, the two planned to write a new record together, using the energy and insight borne from creative lives existing amidst unprecedented unrest. The two got to work, efficiently and effectively. They will release their debut LP – a mere four months after those fires – on October 9th.

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Tkay Maidza Learned Success Through Failure

Zimbabwe-born, Australia-raised artist and musician, Tkay Maidza, grew up playing tennis. Her parents were metallurgists – academics who worked in the field of mining and chemistry – and, as a result, the family moved around Australia often, from Perth to Whyalla, in search of new and better opportunities. Maidza had to learn quickly to rely on herself. That’s exactly what she did – socially, academically and athletically. But, at some point, she outgrew the game. She needed a new focus. That’s when music entered the picture in earnest. For Maidza, music had always been around the family, now it was her turn to try her hand. By making the choice early on to dive into music headfirst, Maidza kick-started a career that will yield her fair share of precious things like gold, silver, platinum and diamonds.

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Patti Smith Is Always Going to Be a Worker

Patti Smith needs no introduction. Seriously. The iconic American musician, poet, and photographer has a new, in-depth music project—a result of her years-long collaboration with the experimental New York City-based Soundwalk Collective to create a triumvirate of records rooted in the poetry of some of the world’s most renowned authors. The three records—2019’s The Peyote Dance, based on the work of Antonin Artaud with a guest spot from actor Gael García Bernal, and Mummer Love, from Arthur Rimbaud; along with 2020’s Peradam, which lifts words from René Daumal—feature Smith improvising, reciting, and chanting amidst mesmerizing music, often based on field recordings taken from around the world. Smith, who still harbors a slight (and endearing) South Jersey accent, has been quarantined in New York City since March, and she’s going a little stir crazy. Nevertheless, she’s as wise, thoughtful and learned in conversation as ever. We caught up with Smith to ask her about her three records, our three pandemics, and everyone’s favorite trio of talking fast food cartoons. (Why not?)

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Deerhoof Dips Into Multiple Inspirations For ‘Love-Lore’

In many ways, it’s a miracle Love-Lore, the new, five-track, 35-minute LP from the San Francisco-borne band, Deerhoof, exists. To begin with, the album is an intricate amalgamation of dozens of songs and bits of classical or pop culture – from the Knight Rider theme song to Kraftwerk, B-52s and Sun Ra covers – woven together like a woolen scarf of musical history. To knit the 40-plus songs together takes the kind of skill and inspiration a single lightening bolt strike induces on the psyche. Secondly, and perhaps more importantly, if you ask the band’s members, it’s astounding humanity as we know it still exists today despite shoddy politics, greed and unfulfilled social promises.

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