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In many ways, the band, The String Cheese Incident, is synonymous with the idea of playing live. If you’ve ever been a part of their crowds, you know the wide, sweeping, jamming celebration that is a String Cheese show. Playing live is likely the one thing the band misses most during this upended era of COVID-19. But to continue to engage with its community, the group has been hosting regular “Friday Night Cheese” events online, during which the members broadcast past live shows, recent and old, for fans to relive or enjoy for the first time.

This New Year’s Eve, The String Cheese Incident will conclude the series with an exclamation point. It will stream the 20th anniversary of the Evolution concert filmed in 2000 in Portland and the band’s three-set NYE show in Broomfield, Colorado, from 2016. While 2020 has been a time of rest and reinvention for the group – including keys player, Kyle Hollingsworth – the band hopes, like many do, that the new year will bring the renewed opportunity to play again in front of audiences.

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When speaking with the accomplished musician, Chief Christian Scott aTunde Adjuah, it can often feel like you’ve opened an encyclopedia filled with history, culture and artistry. Adjuah, who was born and raised in a region where music was part of its DNA, understands songs almost like recipes. They are passed down for sustenance and from these deeply rooted compositions spring nations. As a musician, Adjuah, who comes from a line of artists and prominent indigenous New Orleans people, carries a nuanced burden. In one respect, he aims to tell the stories that have kept him and his family alive through centuries of hardship and discovery. In another, he pays them homage by reevaluating their nature to potentially re-form or broaden their scope so as to incorporate modern, though equally hard-earned ideas of care and community. Adjuah, whose latest live improvised record, AXIOM, was recently nominated for a Grammy, brings this in-depth understanding of musical reconstruction to each trumpeted phrase he plays.

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When Aloe Blacc is poised to release a promising new song or album, he says it can feel like playing an invisible game with a hidden opponent.

Blacc — who boasts hits like “I Need A Dollar” and “Wake Me Up” that combined have accrued more than 100 million YouTube views to date — says that trying to figure or plan the right moves can be tricky, even for him. You line up your pieces, you know strengths and limitations, but you don’t know what might be shaping up on the other side of that proverbial board.

Thankfully, though, for the Grammy-nominated, golden-voiced artist, Blacc won’t have to worry much about a wrong move in the aftermath of his latest LP, All Love Everything, which he released in October.

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When the accomplished guitarist, Billy Strings (born William Apostol), thinks about music, he’s often transported to the past. He remembers growing up with songs all around his childhood house and getting his first guitar at four-years-old. He remembers learning chords and playing music with his father at seven-years-old and he remembers seeing his dad liven up a party by fingerpicking local favorites. These are the fondest moments of Strings’ life, he says. But just because Strings can recall such joyous occasions doesn’t mean there haven’t been many rough ones between them. He remembers these, too, often writing about the heft of life in his music. Strings, whose latest record, Home, was recently nominated for a Grammy, carries his past to every gig he plays. Fans can continue to bear witness to his emotive, powerful performances now through Christmas as the Nashville-based musician broadcasts his original sets via his YouTube page to benefit Tennessee food banks and shelters.

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Providence, Rhode Island musician, Jake Blount, can talk to ghosts. He communes with them in song. He’s part exorcist, part séance leader. He resurrects their spirit in the music he makes and, over the course of a rocky 2020, Blount has earned great levels of praise for his often-spirited work. That he’s received positive responses for the old time and traditional music he plays has, in many ways, been the catalyst to new creative evolutions (more on this later). But it’s also offered real-time validation for Blount’s efforts, which first began with a desire to connect with his roots. To cap off a year in which he released a popular LP and earned high praise from outlets like NPR music, Blount recently unveiled his latest music video for the track, “The Angels Done Bowed Down.” In true form, the song is about murder’s revenge but is sung and couched in such a way that one could play it on a porch to toe-tapping neighbors.

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Alex Edkins, front man for the Toronto-based punk rock band, METZ, says he needs to start each day with music. If it’s true, as some suggest, that human beings respond to songs, melody and rhythm on a cellular level, then this compulsion makes perfect sense. If Edkins’ is a world of music, then there must be a renewed source for it each day. So, he puts on an album or a swath of singles and lets them unravel and begin to chart the course of his morning. This practice has helped buoy over a decade of the songwriters’ life as a professional musician and likely much longer than that as a fan. The most recent output from this artful lifestyle is METZ’ latest LP, Atlas Vending, which the band released in October. To support the album, METZ more recently released its latest video for the track, “Framed by the Comet’s Tail.” The new work is emblematic of the propulsive force a song can provide.

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For sought after Los Angeles producer, Karriem Riggins, it all began with the drums. Riggins’ father, a skilled keys player, performed with, among others, the great jazz guitarist, Grant Green, and Riggins would watch intently, starting at three-years-old. Tagging along to shows inspired the aspiring young musician and when he began to understand and follow along with the drums, Riggins fell head over heals for them. The instrument’s ability to change the mood and tone in a room just by altering the rhythm or feel wowed him. Later, after he got his first drum set, Riggins began to take music seriously. He also played trumpet and he got some rudimentary recording equipment. By 1994, Riggins moved from his hometown of Detroit to New York City, where he began to flourish. This year, Riggins released unique projects with the famed rappers, Common and Madlib, and he is poised to unveil even more new work in 2021.

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Chris Carrabba, front man for the popular rock group, Dashboard Confessional, has been living an acute modern duality for the past year. When scholars and scientists look back on 2020, they may be able to sum up what, exactly, was lost during one of the most tumultuous years in global history. But, with hope, they will also be able to calculate what improved, what we gained or what evolved in a positive sense, too. Carrabba, who has been at the center of both loss and gain this year, understands that balance. At the start of 2020, he and his band were poised to celebrate the 20th anniversary of their debut 2000 album, The Swiss Army Romance. But then the world turned upside down. Later, in June, as the COVID-19 self-quarantine truly set in, Carrabba was in a motorcycle accident, which forced him to lay up in casts. But the result of the isolation created a renewed sense of appreciation for what he’s worked to achieve over the past two decades.

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