Trombone Shorty Talks the “Neighborhoods” of Music, New LP ‘Lifted’

Trombone Shorty doesn’t think about music in terms of genre. Rather, he thinks of different styles like different neighborhoods. It’s the result of the artist, born Troy Andrews, growing up in New Orleans, Louisiana, a city where musical trends and energies are born and born again almost daily.

Andrews, who will release his latest LP, Lifted, on Friday (April 29) was born and raised in the Crescent City. He grew up with music like a fish does with water. It was everywhere—so much so that he didn’t even realize it. His brother, cousins, and other family members were ensconced in it. It was only in high school that Andrews even considered a life outside of music. But that wasn’t for long. Now, he’s one of the most accomplished and prolific players, able to weave between traditional jazz, rock, pop, and more.

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Ceramic Animal's Chris Regan: "I love that the guitar has the power to knock you on your ass or make you cry"

Ceramic Animal, the Doylestown, Pennsylvania-born rock band, are one of the latest groups to collaborate with The Black Keys’ frontman and guitarist, Dan Auerbach. The band – along with acts like The Velveteers and Yola – have enjoyed learning from and working with the Grammy-winning bluesman. And that means, of course, a focus on guitar work.

The band, who released their latest LP, Sweet Unknown, in March, deliver a sound that jives with Auerbach’s aesthetic and history. Throughout the album, Ceramic Animal blend Americana, rock and blues with buzzy six-string sounds and poignant lyricism.

Perhaps the biggest standouts on the new record are the propulsive I Can’t Wait and shadowy I Love a Stranger. But whatever your pleasure, each has Auerbach’s fingerprints all over them.

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Rocker Ted Nugent Talks New LP ‘Detroit Muscle,’ COVID-19, Guns, America and More: “I’m a Lightning Rod”

Rocker Ted Nugent has a new album out on April 29. That LP, Detroit Muscle, showcases the musician’s signature hard-pounding, frenzied songs buoyed by his guitar prowess and gravely voice. But these days, Nugent is more than a musician. He’s a social media presence, an outspoken, often harsh voice in the face of what he perceives as right and wrong in America today.

Here, we caught up with Nugent (of “Cat Scratch Fever” fame) to ask him questions about his new album, his relationship to Detroit rock and roll, his thoughts on COVID-19, Kyle Rittenhouse, the past three American Presidents, and much more. (Hint: he doesn’t hold back.) So, prepare yourself, dear reader, for all that is Ted Nugent.

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HBO Composer, Music Editor, and Music Supervisors on How to Create Music for New Show ‘The Baby’

HBO’s new television show, The Baby, is billed as a horror series in the vein of the acclaimed movie Get Out. And it’s true. The show, which debuts on the premium channel on April 24, is both terrific and eerie, odd and sumptuous.

But beyond the excellent acting, storytelling, and plot, how does a show like this come together musically? How do the folks in charge of writing the songs, scoring the show, and editing the sounds make everything work to bring those eerie feelings to life?

Well, that’s exactly what we asked the show’s composer Lucrecia Dalt, music supervisors Pete Saville and Zoe Bryant, and music editor Ed Hamilton. So, without further ado, let’s see what they had to say about their work below.

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Bastille: The Future is Now

Dan Smith, frontman and principal songwriter for the British-born band Bastille, had an image in his mind—someone is sitting on the sofa. The room is dark. This person is wearing a virtual reality headset and, with it, in their mind, they are soaring over the whole world doing whatever they please. Smith knows how beautiful this is. How freeing for the person wearing the technology. But with this vision comes the question: how much of this is healthy?

When Smith wonders about this idea, he does so with a sense of openness and nuance. His is not a perspective decreeing that people should not use virtual reality or stare into their cellphones. In fact, Smith loves the idea of escapism—it’s a common theme in his life and work. However, he also knows that it’s fair to wonder, as we barrel toward our technology-laced futures, what is worth paying attention to?

These questions and more arise on Bastille’s latest album, the 13-track Give Me the Future, which dropped in the first week of February. The epic LP, which dives deep into questions of time, technology, and the value of human relationships, offers its listeners as many questions as it does answers, all while myriad voice tracks, big rhythms, and catchy melodies toy with your ears.

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Julian Lennon is Finding Music Again in All the Right Places

Julian Lennon has long had a tumultuous relationship with the music business. But with the music itself? He loves it. He loves the way it can change a person’s mood in a split second or in a “New York minute.” For Lennon, who is the son of the late legendary Beatle, John Lennon, music can help to elevate the listener out of dark places. He knows this magic firsthand. This is why Lennon’s latest singles—“Freedom” and “Every Little Moment”—are so poignant, both in and of themselves, and at a time war is taking place in Ukraine. The songs, which Lennon released last week, offer emotional aid in a difficult global time, as much as they give assistance to those experiencing difficult personal times internally. And Lennon’s latest release—a cover of his father’s most famous song, “Imagine”—also offers a helping hand in a great time of need and shall continue to, most likely.

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Aly & AJ: Taking the Reins

Sisters Aly and AJ Michalka have found their sound. The two prolific artists and entertainers, both in their early thirties, have been making music and performing on stage and screen for almost two decades. Now, though, they are entering a new phase, a different chapter. It’s a heartening evolution, the sisters explain. One that’s taken a great deal of work, much time to reflect, and faith both in themselves and in each other so they could, above all else, go through with it head-on. It takes guts and heart to grow. Aly and AJ know this well.

The two have found their groove, figuratively and literally, and there is no looking back. In 2021, the duo released their acclaimed LP, A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun. In February, they released the deluxe edition with four new songs. And the sisters are currently hard at work on an entirely new record off the heels of that success. But how did all this start? As all good things do, with a karaoke machine.

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Checking in with Megan Jasper, CEO of Seattle’s Legendary Sub Pop Records

Megan Jasper is a true success story. This is funny because she works for the (legendary) record label, Sub Pop, which often bills itself as “Going out of business since 1988.” Clever marketing aside, Jasper is a beacon in the industry. From starting at the label as an intern to becoming its CEO, Jasper oversees quite a bit of music history and future-making from her Seattle-based office.

In the conversation below, American Songwriter asked Jasper about her first days on the job (make sure you check the Kurt Cobain story ). Jasper is also gracious enough to give insight into what a label looks for when potentially signing a new band, how the label looks to honor its local and global music communities and what she loves most about music.

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Meklit Hadero on the Origins of MOVEMENT, a Global Music Showcase Highlighting the Relationship Between Migration and Songs

Ethiopian-American songwriter and performer Meklit Hadero is a dynamo. A force. A person to know and cherish. Her music is as spiritual as it is entertaining.

Hadero’s latest project is MOVEMENT, which is a traveling series that highlights the complexity and relationship between migration and music. It begins on May 7 in Seattle at the University of Washington.

We caught up with the artist to ask her about the series, its origins, and what she hopes will manifest from the work that went into creating it. So, without further ado, let’s dive into the wisdom of Hadero here below.

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Behind The Song: “Take Me Out” by Franz Ferdinand

The hit song, “Take Me Out,” by the Scottish rock band Franz Ferdinand is like a slug to the head. In fact, that was what helped originate the idea.

The track, which was released in 2004 as the band’s second single from their self-titled LP, is likely the band’s biggest song to date. It reached No. 3 on the U.K. top singles chart and it hit that same number on the U.S. Modern Rock Tracks chart. It also hit No. 66 on the Billboard Hot 100.

But where did the inspiration for the song come from? How did the band, which included frontman Alex Kapranos, conceptualize the tune? For starters, it all began, Kapranos says, with a sniper movie.

American Songwriter caught up with Kapranos to ask him about the origins of “Take Me Out.” Here’s what the songwriter, guitarist, and frontman had to say about its beginnings and fitting the sonic puzzle pieces together.

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10 Best-Sounding Open World Games

For many video gamers, “open world” options are some of the most fulfilling. These titles allow players to freely explore a virtual world by using their instincts as compasses, rather than following a more stringent and traditional side-scrolling, level-oriented map. Open world games give players the ability to work towards their goals in less structured ways, deciding when and where they’d like to act.

Such an approach delivers a great sense of autonomy and self-determination, and can also provide a more satisfying sonic experience, especially when enjoyed on quality headphones, speakers and sound bars. Soundtracks and sound effects can pop up seemingly out of nowhere, making them that much more memorable and tantalizing. Here’s our list of 10 of the open world games that offer the best soundscapes.

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EssayJake UittiYamaha
With Debut LP En Route, Wet Leg is Not Scared

Starting a band can be scary. To be a public artist means putting your thoughts, ideas, hopes, and dreams out for anyone and everyone to take in, digest, and, perhaps, even criticize wildly. As a result, thick skin and deep resolve are often needed. Such is the case for the U.K.-born band, Wet Leg, which, over the past handful of months, has become one of the most talked-about groups in the world. With high praise from the Foo Fighters’ Dave Grohl, to name one example, Wet Leg is becoming a household name, and that journey is set to continue with the release of the band’s self-titled debut LP, which is out Friday (April 8). But to achieve all this has required, for lack of a better term, a mission statement from Wet Leg’s founders, Rhian Teasdale and Hester Chambers. The duo has had to stick to it closely. And, so far, they have done so admirably, and with a touch of signature irreverence.

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The Regrettes' Genessa Gariano: "There’s a power I feel when I’m holding a guitar. It lets me be something other than what I am physically"

Genessa Gariano is the lead guitar player for the Los Angeles-born band, The Regrettes. The group, who rose to popularity with a string of guitar-driven albums, now have a new record, Further Joy, under their belt that, unlike the rest of their repertoire, is far more selective with its six-string placement. It uses the instrument in tasteful, textured and subtle ways, as opposed to how a traditional garage-rock, guitar-forward album might with its buzzy, fuzzy smacks and punches.

The Regrettes imbue joy in their audiences. The chemistry and camaraderie among the members is palpable, and it’s a big reason why the group has booked gigs at Coachella and Bonnaroo this year, among many more.

We caught up with Gariano to talk to them about their guitar-playing origins, letting go of genre on Further Joy and what they love most about their chosen instrument.

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What’s the Difference Between Baritone Horn and Euphonium?

For young people starting out on brass instruments, the baritone horn and the euphonium are two of the most popular choices. Both are sizable (read: hard to lose) and offer distinctive low-register sounds without being unwieldy like a tuba or sousaphone. Both the baritone horn and the euphonium are also relatively easy to learn to play, especially when compared to the more difficult French horn or trumpet, and are commonly found in brass ensembles, marching bands and orchestras. In this article, we’ll examine what they have in common, as well as what makes each unique.

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EssayJake UittiYamaha
14 Songwriting Tips from Music’s Biggest Names—Molly Tuttle, Wolf Alice, Five For Fighting, and More

We all struggle with writing at times.

But one of the reasons that that is the case is because we don’t know all the great workarounds that some of the best in the business have figured out (even if that means just keep at it). Sometimes, just a nudge in a new direction is all it takes to get back on the right path toward completion and creativity.

Well, you’re in luck!

Here, we ask some successful artists—from Molly Tuttle to Wolf Alice to John Doe, Five for Fighting, and other Grammy Award-nominees and winners—for their techniques, insights, and tips.

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