Comedian Hannibal Buress Starts Second Career Arc as a Musician with Stellar New EP ‘Eshu Tune’

Hannibal Buress is back at the grind.

This time, though, instead of working on new standup material, as is often the trajectory for famous comedians like him, Buress is working on what may amount to a whole new career arc. The quick-witted and multi-talented artist released his debut EP, Eshu Tune, under the same stage name, in mid-April. That eight-song album features both his production work and beat making as well as his sly, skillful rapping. For Buress, the work is both an exciting window into future creativity and something that connects him to one of his earliest loves: music. It’s something that’s invigorating him these days and, perhaps down the line, the work will inform future standup specials. But in the meantime, it’s all about the songwriting.

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Sean Paul Brings the Fire on New Album ‘Scorcha’

What goes into a Grammy Award-winning career? Is it hard work and focus from a young age? It can be. Is it knowing what you want and going for it? Yes, sure. But it’s also about exposing yourself to a myriad of aspects of the world because one never knows where a lesson or inspiration may come from. For acclaimed singer, producer, and businessman, Sean Paul, his path to fame and recognition began in Jamaica with his mother singing songs from the Beatles while taking him to school as a kid. She loved Paul Simon and Cat Stevens and so she exposed her son to them, too. Paul’s aunt owned a sound system and she’d play reggae and dancehall music. That’s when the wheels began to turn in Paul’s head and help to lead him to a career that includes Grammy nominations, collaborating with Beyonce, and more. And Paul’s new album, Scorcha, is set to drop on May 27 with features from Gwen Stefani, Sia, and more.

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Kane Brown Goes Back to His Roots

Today, country singer Kane Brown is one of the biggest names in popular music. He’s earned multiple platinum record certifications, millions of fans, and more accolades than could fit in a 10-gallon cowboy hat. One might presume, therefore, that Brown is on top of the world and in need of nothing else, nor anyone’s help. But that’s as far from the truth as could be. Instead, Brown keeps a level head. He likes hanging out with friends at lake houses and admiring classic cars. Every morning at home when he comes downstairs to see his family, he makes sure to tell his wife that she’s “Superwoman.” Humility, sincerity, appreciation—these are the traits of an artist who will assuredly have a lasting, even multi-decade career. They are also the ingredients that comprise Brown’s career to date. For the standout songwriter and performer, life initially began tumultuous and precarious—as a kid, his family spent time homeless. Now, though, Brown, who is currently at work on his third solo LP, is as sought-after as it gets.

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PJ Morton Flies High After His Computer Crashed

As a songwriter and musician, PJ Morton has basically done it all. For the past half-decade, Morton has earned Grammy Award nominations (and wins) every calendar year (including most recently this year for his work on Jon Batiste’s seminal record, We Are, which won Album of the Year). Morton, who grew up in New Orleans, has played multiple instruments, sang in the church, and collaborated with some of the biggest names in the history of the art form. But while all of this makes for amazing memories and has allowed for many accolades, it can burn someone out. And that’s exactly what happened to Morton.

In fact, during the COVID-19 pandemic, he felt it acutely. When the pandemic hit, Morton figured he could take a break for a few weeks, not knowing the crisis would continue for a few years. But the time off helped a great deal. When it first hit, Morton went back to his native New Orleans and began working on some music on his computer. But when his computer subsequently crashed, he had to take a real deep breath.

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Let’s Eat Grandma Appreciate the Space

Jenny Hollingworth and Rosa Walton, also known as the founding members of the U.K.’s ethereal indie-pop band Let’s Eat Grandma, appreciate the countryside. While they spend significant time in cities like London for promotion and in others around the world to perform while on tour, when they’re home and off the road, each enjoys the more pastoral surroundings and the serene landscapes. While many their age (both are in their twenties) might aim to reside in fast-paced bustling cities, Hollingworth and Walton stay in the countryside, using the space and slower pace to reflect, think, contemplate and experiment with their craft. This decision has proven healthy for both their work and their interpersonal creative relationship. Evidenced by their spacious new LP, Two Ribbons, which the duo is set to release on Friday (April 29).

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Trombone Shorty Talks the “Neighborhoods” of Music, New LP ‘Lifted’

Trombone Shorty doesn’t think about music in terms of genre. Rather, he thinks of different styles like different neighborhoods. It’s the result of the artist, born Troy Andrews, growing up in New Orleans, Louisiana, a city where musical trends and energies are born and born again almost daily.

Andrews, who will release his latest LP, Lifted, on Friday (April 29) was born and raised in the Crescent City. He grew up with music like a fish does with water. It was everywhere—so much so that he didn’t even realize it. His brother, cousins, and other family members were ensconced in it. It was only in high school that Andrews even considered a life outside of music. But that wasn’t for long. Now, he’s one of the most accomplished and prolific players, able to weave between traditional jazz, rock, pop, and more.

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Ceramic Animal's Chris Regan: "I love that the guitar has the power to knock you on your ass or make you cry"

Ceramic Animal, the Doylestown, Pennsylvania-born rock band, are one of the latest groups to collaborate with The Black Keys’ frontman and guitarist, Dan Auerbach. The band – along with acts like The Velveteers and Yola – have enjoyed learning from and working with the Grammy-winning bluesman. And that means, of course, a focus on guitar work.

The band, who released their latest LP, Sweet Unknown, in March, deliver a sound that jives with Auerbach’s aesthetic and history. Throughout the album, Ceramic Animal blend Americana, rock and blues with buzzy six-string sounds and poignant lyricism.

Perhaps the biggest standouts on the new record are the propulsive I Can’t Wait and shadowy I Love a Stranger. But whatever your pleasure, each has Auerbach’s fingerprints all over them.

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Rocker Ted Nugent Talks New LP ‘Detroit Muscle,’ COVID-19, Guns, America and More: “I’m a Lightning Rod”

Rocker Ted Nugent has a new album out on April 29. That LP, Detroit Muscle, showcases the musician’s signature hard-pounding, frenzied songs buoyed by his guitar prowess and gravely voice. But these days, Nugent is more than a musician. He’s a social media presence, an outspoken, often harsh voice in the face of what he perceives as right and wrong in America today.

Here, we caught up with Nugent (of “Cat Scratch Fever” fame) to ask him questions about his new album, his relationship to Detroit rock and roll, his thoughts on COVID-19, Kyle Rittenhouse, the past three American Presidents, and much more. (Hint: he doesn’t hold back.) So, prepare yourself, dear reader, for all that is Ted Nugent.

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HBO Composer, Music Editor, and Music Supervisors on How to Create Music for New Show ‘The Baby’

HBO’s new television show, The Baby, is billed as a horror series in the vein of the acclaimed movie Get Out. And it’s true. The show, which debuts on the premium channel on April 24, is both terrific and eerie, odd and sumptuous.

But beyond the excellent acting, storytelling, and plot, how does a show like this come together musically? How do the folks in charge of writing the songs, scoring the show, and editing the sounds make everything work to bring those eerie feelings to life?

Well, that’s exactly what we asked the show’s composer Lucrecia Dalt, music supervisors Pete Saville and Zoe Bryant, and music editor Ed Hamilton. So, without further ado, let’s see what they had to say about their work below.

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Bastille: The Future is Now

Dan Smith, frontman and principal songwriter for the British-born band Bastille, had an image in his mind—someone is sitting on the sofa. The room is dark. This person is wearing a virtual reality headset and, with it, in their mind, they are soaring over the whole world doing whatever they please. Smith knows how beautiful this is. How freeing for the person wearing the technology. But with this vision comes the question: how much of this is healthy?

When Smith wonders about this idea, he does so with a sense of openness and nuance. His is not a perspective decreeing that people should not use virtual reality or stare into their cellphones. In fact, Smith loves the idea of escapism—it’s a common theme in his life and work. However, he also knows that it’s fair to wonder, as we barrel toward our technology-laced futures, what is worth paying attention to?

These questions and more arise on Bastille’s latest album, the 13-track Give Me the Future, which dropped in the first week of February. The epic LP, which dives deep into questions of time, technology, and the value of human relationships, offers its listeners as many questions as it does answers, all while myriad voice tracks, big rhythms, and catchy melodies toy with your ears.

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Julian Lennon is Finding Music Again in All the Right Places

Julian Lennon has long had a tumultuous relationship with the music business. But with the music itself? He loves it. He loves the way it can change a person’s mood in a split second or in a “New York minute.” For Lennon, who is the son of the late legendary Beatle, John Lennon, music can help to elevate the listener out of dark places. He knows this magic firsthand. This is why Lennon’s latest singles—“Freedom” and “Every Little Moment”—are so poignant, both in and of themselves, and at a time war is taking place in Ukraine. The songs, which Lennon released last week, offer emotional aid in a difficult global time, as much as they give assistance to those experiencing difficult personal times internally. And Lennon’s latest release—a cover of his father’s most famous song, “Imagine”—also offers a helping hand in a great time of need and shall continue to, most likely.

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Aly & AJ: Taking the Reins

Sisters Aly and AJ Michalka have found their sound. The two prolific artists and entertainers, both in their early thirties, have been making music and performing on stage and screen for almost two decades. Now, though, they are entering a new phase, a different chapter. It’s a heartening evolution, the sisters explain. One that’s taken a great deal of work, much time to reflect, and faith both in themselves and in each other so they could, above all else, go through with it head-on. It takes guts and heart to grow. Aly and AJ know this well.

The two have found their groove, figuratively and literally, and there is no looking back. In 2021, the duo released their acclaimed LP, A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun. In February, they released the deluxe edition with four new songs. And the sisters are currently hard at work on an entirely new record off the heels of that success. But how did all this start? As all good things do, with a karaoke machine.

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Checking in with Megan Jasper, CEO of Seattle’s Legendary Sub Pop Records

Megan Jasper is a true success story. This is funny because she works for the (legendary) record label, Sub Pop, which often bills itself as “Going out of business since 1988.” Clever marketing aside, Jasper is a beacon in the industry. From starting at the label as an intern to becoming its CEO, Jasper oversees quite a bit of music history and future-making from her Seattle-based office.

In the conversation below, American Songwriter asked Jasper about her first days on the job (make sure you check the Kurt Cobain story ). Jasper is also gracious enough to give insight into what a label looks for when potentially signing a new band, how the label looks to honor its local and global music communities and what she loves most about music.

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Meklit Hadero on the Origins of MOVEMENT, a Global Music Showcase Highlighting the Relationship Between Migration and Songs

Ethiopian-American songwriter and performer Meklit Hadero is a dynamo. A force. A person to know and cherish. Her music is as spiritual as it is entertaining.

Hadero’s latest project is MOVEMENT, which is a traveling series that highlights the complexity and relationship between migration and music. It begins on May 7 in Seattle at the University of Washington.

We caught up with the artist to ask her about the series, its origins, and what she hopes will manifest from the work that went into creating it. So, without further ado, let’s dive into the wisdom of Hadero here below.

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Behind The Song: “Take Me Out” by Franz Ferdinand

The hit song, “Take Me Out,” by the Scottish rock band Franz Ferdinand is like a slug to the head. In fact, that was what helped originate the idea.

The track, which was released in 2004 as the band’s second single from their self-titled LP, is likely the band’s biggest song to date. It reached No. 3 on the U.K. top singles chart and it hit that same number on the U.S. Modern Rock Tracks chart. It also hit No. 66 on the Billboard Hot 100.

But where did the inspiration for the song come from? How did the band, which included frontman Alex Kapranos, conceptualize the tune? For starters, it all began, Kapranos says, with a sniper movie.

American Songwriter caught up with Kapranos to ask him about the origins of “Take Me Out.” Here’s what the songwriter, guitarist, and frontman had to say about its beginnings and fitting the sonic puzzle pieces together.

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