Slug from Atmosphere Looks Back at His Crazy Life on the New Album Mi Vida Local

Sean Daley is the rapper, Slug. And Slug is one half of the Minneapolis, Minnesota, hip-hop group, Atmosphere, which released its latest LP, Mi Vida Local, on October 5th. With an upcoming national tour slated for the group, which includes a stop in Seattle at the Showbox SoDo on March 2nd, we thought we should catch up with Atmosphere’s frontman and talk about the new album and what tour life is like. For such a prolific duo, which has created underground hits like “God’s Bathroom Floor” and “Trying To Find A Balance,” we wanted to talk to Slug about the idea of a perfected song and how he maintains the energy to write, record, tour and manage his outstanding independent record label, Rhymesayers.

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Chali 2na Dives Into Early Beginnings, Jurassic 5, and Finding His Voice

Los Angeles-based rapper and artist, Charlie Stewart (aka Chali 2na), who is perhaps best known for his role in the beloved hip-hop group, Jurassic 5, is coming to Seattle on November 8th. Playing with Blackalicious at the Nectar Lounge, the deep-voiced emcee, who has worked with everyone from Ozomatli to Nelly Furtado, will bring his charming, insightful and booming rhymes to the crowd in Fremont for a night to remember. But before he graces the famed Emerald City stage, we wanted to catch up with the emcee and ask him how his career started, how he got his name, how he developed his signature baritone and much more.

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Poutine Rules at Seattle’s Best Hockey Bar

After the explosion, Tim Pipes nearly threw in the towel. Then, a month later, he was robbed. Pipes has also undergone spinal fusion surgery and back surgery to remove a herniated disk. He’s been through a difficult divorce. But despite all these, the place he loves most, The Angry Beaver, a small, 80-person hockey bar he owns in the heart of Greenwood — that serves countless batches of poutine — has subsisted. And he has subsisted right along with it.

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Valtesse’s Art of the Tease

A year ago, Fiona Pepe was in search of inspiration. The Seattle dancer and photographer had left a 10-year career as one of the head performers at the sultry and beloved Can Can cabaret theater. On an excursion to France, she found herself strolling through the Parisian streets one morning. Looking for any decent book, Pepe picked up a tome titled The Mistress of Paris, which would quickly change her creative aspirations.

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Whitney Mongé "Carries On" with New EP, Shares the Soulful Track "Be Mine"

Whitney Mongé’s voice cracks, crumbles, aches and breaks your heart. It’s one made of 100-year-old salvaged northwest wood, complete with embossed grains, nicks, and honest imperfections. Often compared to the great Tracy Chapman, Seattle’s Mongé, though, is unique and stands sturdily on her own two musical feet. And never has this been more evident on her upcoming EP, the six-song Carry On, an intimate window into the artist’s songwriting, which is set to be released November 27th and 28th at Jazz Alley with co-headliner Naomi Wachira. To preview that release, we have the honor of premiering Mongé’s lead single from the new record, “Be Mine,” a romping, joyous tune about the excitement and confluence of new love and lust. And to accompany this premiere, we caught up with Mongé to ask her about her new album, what she’s learned since releasing her last record and how many takes it took to get the perfect vocal scream on tape.  

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TRES LECHES TRIO BLENDS THEIR SKILLS INTO A UNIQUE BRAND OF PUNK

The Seattle-based rock ‘n’ roll band, Tres Leches, thrives in poorly lit, vulnerable spaces. The group, however, doesn’t use darkness as a cause for being closed off. Rather, the trio, which is known for strapping on instruments only to switch them mid-song, uses dim spaces to open up to one another within them, exchanging the creative energies and personal conversations that have helped fuel their punk prowess.

Comprised of Alaia D’Alessandro, Ulises Mariscal, and Zander Yates, Tres Leches began three years ago in D’Alessandro’s parents’ basement. They flourished as a result of their lighting feng shui.

“Playing in dark spaces influenced our songwriting,” says D’Alessandro, “Not in a way that we’re sad about, or anything. It’s more like that feeling of being there but you’re with your friends and you can open up.”

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Leon Bridges Definitely Delivers a Good Thing with his New Album

When you hear Texas native, Leon Bridges, sing, you observe a galaxy of things. But the star around which all the man’s many attributes circle is most assuredly his innate sweetness. There’s gentleness and kindness embedded into all of his music and it’s because of these that Bridges’ soulful songwriting shines. And, not surprisingly, these same traits come through when you talk on the phone with the singer, who will perform tonight in Seattle at the WaMu Theater. But before the big show, we caught up with Bridges — who’s worked with Emerald City standouts, Macklemore and Odeaza, on recent tracks — to chat with him about his early days as a young musician at open mics, how he developed his other-worldly voice, and what he thinks about love at this stage in his life. His most recent full-length, Good Thing, is out now via Columbia.

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Surfs Up: Brooks Nielsen of The Growlers Talks About Developing Their "Beach Goth" Sound

Brooks Nielsen has a golden voice. The lead singer for the California-based “Beach Goth” band The Growlers, who play Seattle two nights this weekend at the Neptune Theater (Sep. 7th and 8th), sings like his vocal chords are made of precious metal-encrusted bouncy balls. The prolific group, which just released a B-sides album called, Casual Acquaintances, worked in the studio with Julian Casablancas of The Strokes, to produce a more condensed sonic vibe. And while The Growlers keep experimenting with their stuff, the band is perhaps best known for their deliciously eerie LP, Chinese Fountain, a pastiche of poetry and musical profundity. Prior to their upcoming Emerald City weekend shows, though, we wanted to catch up with Nielsen to ask him about The Growlers’ early days, how his vocal tone developed, and how he feels when he writes a new song.

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A Chat with Eva Walker: Lead Singer of The Black Tones & the New Host of Audioasis on KEXP

KEXP is excited to announce a new host for the Pacific Northwest’s longest-running local music radio show, Audioasis. Beginning September 8th, Eva Walker will become the new host of Audioasis on KEXP, airing 6-9 PM on Saturday evenings. Walker, of Seattle rock ‘n roll band The Black Tones, is a born and raised Seattleite, a music teacher, and a lover of music of all kinds.

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Still Searching For Sugar Man: A Chat w/ Sixto Rodriguez

The phone rang a few times and a woman picked up. “Hello?” It was one of his daughters. I could recognize her tone and cadence from the now infamous documentary, Searching For Sugar Man. I didn’t have a chance to ask for her name before she passed the phone along to her father, Sixto Rodriguez, the famed songwriter and star of the film. With a sweet, patient voice, Rodriguez asked how I was doing, to tell him something about myself. In the moments before the call, nerves shook me, but now, I was having a conversation with the writer of the songs “I Wonder” and “Cold Fact.” Throughout the chat, I also got to ask him about how he learned to write music, what it was like playing those first big shows in South Africa, and what he thinks about first when he wakes up in the morning.

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Mudhoney's Mark Arm Looks Back at the "Grunge" Days with KEXP

With a new album, Digital Garbage, slated for release this September, the iconic Seattle rock band, Mudhoney, has achieved something many groups don’t: a career spanning four decades and 10 records in the books. With the throaty, charged singing of frontman, Mark Thomas McLaughlin (aka Mark Arm), Mudhoney has been a major part of the “grunge” pastiche in the Emerald City, helping to inspire the massive groups that followed. As the Sub Pop 30th anniversary approaches, we wanted to speak with Arm (a longtime Sub Pop veteran) to talk about the origins of his band, how his singing developed and what he learned from Green River, the early band he played in prior to forming Mudhoney.

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Interview // The Only History I Can Claim: A Conversation with E.J. Koh

Seattle poet E. J. Koh writes with both a delicate and brutal hand. Whether staring into the eyes of a loved one or a murderer, her work is unblinking. Her poems mine dichotomies in homes and languages, shedding light on her own difficult childhood, during which she was separated from her parents for nine years. Koh, who didn’t speak until almost five years old, now wins awards for her poetry and adoration for her translations. A Korean-American, Koh grew up with immigrant parents and when she talks about her history, she does so with a voice saturated in reflection and interpretations. We wanted to catch up with the author to talk about her recent collection, A Lesser Love (Pleiades Press, 2017), to see what she’s working on now and to glean a few insights into her illustrious creative process.

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Path of the Storm

It’s late in practice Thursday afternoon, and the Seattle Storm has just finished scrimmaging. Team members, legs tired, sweat dripping, line up around the basket to take free throws. It’s in these worn-out moments when mental and physical precision are key, after all. After a round of shots, Storm coach Dan Hughes brings his squad in for one more talk before dismissing them for the day. Practice is over.

But not for Breanna Stewart.

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ERIN RAE FINDS HER VOICE IN COLUMBIA CITY’S OPEN MIC SCENE

Like guerrilla outposts packed with tallboy Rainier cans and old guitar cases, the venues invite people out of  their apartments to fill small rooms and play at open mics across Seattle. In Fremont, Mo’ Jam hosts weekly improvised group jams. In Capitol Hill, Capitol Cider hosts regular open mics in its basement. In Ballard, Conor Byrne has long kept its open mic going. In Wallingford, the Seamonster is an oasis for jams. And in  Columbia City, the community has turned the open mic into an art form.

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