Arlo McKinley Hopes to Fulfill John Prine’s Vision For Him, Discusses ‘Die Midwestern’

When John Prine comes to see you play a show in Nashville, you know you’re onto something. Even for someone who has been singing since they could talk – as Cincinnati-based Country songwriter, Arlo McKinley, has – seeing one of the greatest songwriters to ever pluck a six-string and pen a verse in the audience is a one-of-a-kind moment. McKinley, who later signed to the now-late Prine’s Oh Boy Records label, will release his debut 10-track LP, Die Midwestern, on August 14th with the spirit of hall of famer in his heart.

“It was the first and only time I’ve been just star struck,” says the 40-year-old McKinley, recalling the performance. “It was a surreal moment knowing that he’s there to watch you do what you do. It means the world to me.”

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Avett Brothers Open Up About Overcoming Insecurity, Discuss Writing ‘The Gleam III’

For Scott Avett, co-founder of the wildly popular Americana band, The Avett Brothers, the unknown is not a scary thing. Looking into the metaphorical dark of the future does not worry him. Indeed, it’s the opposite. Avett finds the unknown beautiful, exciting. This realization, which he came to formally some time ago while playing music, was a life-changing one for the Grammy-nominated and celebrated artist. The lesson opened his eyes to the possibility of not simply technical expertise. Rather, it opened him up to his internal self more and that’s made all the difference for the musician, who, with his brother, Seth, will release the band’s latest album, The Gleam III, on Aug. 28.

“Plenty of times in my life,” Avett says, “I’ve been quite insecure about my musical abilities and my musical knowledge. But then somewhere along the way it dawned on me that, ‘Hey, this has nothing to do with that at all.’ So, since I don’t know what I’m doing, that’s all the more reason to do it and step into the unknown, which is what really makes art.”

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Tikyra Jackson Puts Southern Avenue on Pause, Debuts Solo Effort, “No More Fear”

If you ask Memphis musician, Tikyra Jackson, when she first became aware of music, when it initially entered her universe as a young person, she’ll say that she thinks she was simply born into it. Jackson, who comes from a musical family, was also raised in church. So, she’s been immersed in song, essentially, since the very beginning. But while Jackson isn’t the only person to have grown up singing in church, she did learn an important, singular lesson there. It’s an idea that applies to just about everything she does, including playing in her Grammy-nominated group, Southern Avenue, or recording her own compositions – like her pointed debut single, “No More Fear,” which we’re happy to premiere here today.

“I definitely feel that being exposed to music and church at such a young age,” Jackson says, “made me adjusted to becoming more vulnerable on stage. And when you’re vulnerable, you can allow the music or that energy to overtake you.”

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Lissie Masterfully Taps Into Her Versatility

Throughout her career, Iowa-based songwriter, Lissie (born Elisabeth Corrin Maurus), has benefited from her ability to shape and reshape herself depending on the situation, depending on what’s necessary. If the goal of any soul walking the world is to resemble water (as martial arts master, Bruce Lee, noted), then Lissie has certainly approached that ideal. But water isn’t the only element Lissie harbors inside, there’s at least one more stoking her creative furnace. And thankfully for Lissie, the light has never gone out, it remains hot to this day, as the acclaimed singer continues to release both new and revisited older material in celebration of the 10-year anniversary of her praised debut LP, Catching a Tiger.

“In whatever context, in whatever group, song or space,” Lissie says, “once I can tap into my fire, that’s where it feels true and coming from my gut and my heart.”

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Fantastic Negrito Writes With Truth, Says His Story Is the American Dream

When Bay Area songwriter and performer, Fantastic Negrito (born Xavier Amin Dphrepaulezz), writes new music, he thinks of his children. He thinks, “What would they think of me?” So, in his work, which has taken him around the world and earned millions of streams and as many moments of applause, Negrito aims to infuse knowledge. He wants his kids to hear his music at whatever age it finds them and think their father was fearless, that he said what needed to be said, popular or not. So far, however, Negrito is popular and that attention has come after some almost incompressible life experiences. Many of which he sings about on his forthcoming album, Have You Lost Your Mind Yet?, out August 14th.

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Jonathan Bree Goes In-depth About His Music, Musical Influences

The phrase “a mystery wrapped in an enigma” comes to mind when considering both the music and visage of New Zealand-based performer, Jonathan Bree. The songwriter and front man, who rose to popularity with the 2017 track, “You’re So Cool,” which features Bree in a very blank, very interesting mask-costume, twists a hole in your psyche and won’t leave. His songs are like coffee in the morning with a touch of both sugar and cream. They’re smooth and warm with a kiss of the bittersweet. In the end, though, Bree’s songs energize in their own inimitable manner. We caught up with the musician, who released his latest record, After the Curtains Close, in July, to talk about when he first donned the mask that has become so permanent a part of his aesthetic, how he first fell in love with music, how he landed on his baritone croon and much more.

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CeeLo Green Talks New Album, “Crazy,” and Influences From the Ancestors Lookin’ Through Stacks

Singer extraordinaire CeeLo Green released his latest album, CeeLo Green is Thomas Callaway, on June 26. The record, produced by The Black Keys’ Dan Auerbach, is the first release in the past five years for the spirited, soulful vocalist. Green, who has worked extensively in his career with Outkast, The Dungeon Family, and Danger Mouse (in the world-famous duo, Gnarls Barkley), is a flexible, malleable performer. He also boasts a sponge-like mind that began absorbing the histories and idiosyncrasies of music from an early age. In this conversation, Green talks openly and honestly about myriad topics, from studying music in Atlanta to what made the ubiquitous Gnarls Barkley 2006 song “Crazy” such a hit. Green also talked about staying true to himself despite difficulties in his life and how the song, “The Way,” from his new LP, signifies that effort.

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Ed Roland Recalls First Two Collective Soul Albums, Discusses Writing the Next One

Ed Roland, front man and co-founder of the rock ‘n’ roll band, Collective Soul, simply loves writing songs. When his band’s first record, Hints Allegations and Things Left Unsaid, rocketed to No. 15 on the US Billboard 200 in 1993, the success didn’t mean Roland would soon be swimming in carnal pleasures. Rather, for the musician, it meant that he could afford to pay his rent and write more songs. Even today, amidst all that 2020 has thrown at the world – including the city of Atlanta, where Roland resides – the artist recently wrote and recorded a new record with his Collective Soul cohorts. He adores the process and that especially shows throughout the band’s first two records (Hints and its self-titled 1995 release), both of which will be reissued today on vinyl for the very first time.

“I grew up in a household of love, music, sports and discipline,” says Roland, with a charming southern accent. “And it was awesome!”

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Behind the Song: Merrilee Rush, “Angel of the Morning”

On February 7th, 1968, Bell Records released the swelling, sweeping ballad, “Angel of the Morning,” recorded by the stunning vocalist, Merrilee Rush. The track, which was written by Chip Taylor, hit #7 on the Billboard Hot 100 and, over 50 years later, has amassed more than three million YouTube views. Since its release, a number of artists have covered “Angel of the Morning,” but it’s Rush’s version that hit the airwaves first and has since survived the test of time. We caught up with the powerful-voiced performer to talk about the song’s release, how she came to sing the empowering lyric, what it’s like to be partially responsible for a timeless hit, how it affected her career and much more.

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We Were Promised Jetpacks Discusses The Transition Made For ‘Out of Interest’ Album

Adam Thompson, front man for the Scottish rock band, We Were Promised Jetpacks, recently developed a new trick for dealing with the often-unsettling post-show doldrums. As a touring band, Thompson and crew traveled a lot pre pandemic, often for upwards of six-to-eight months at a time. And after each show, the front man would often stay in his head sweating the small details that might have gone wrong on stage. This, though, he found, only compounded any actual issue. So, Thompson decided to visit the merch stand after gigs and talk to the people that came to see the band. The result, he says, has been night and day for Thompson, whose group released their latest EP, Out Of Interest, in June.

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Chong the Nomad and the Quest to Create

Seattle-based electronic music producer, Alda Agustiano—aka Chong the Nomad—knows how precious a single note can be. This is especially the case when that note is personal, unique. Hers. Upon playing one of her elaborate tracks, listeners can identify Agustiano immediately.

It wasn’t always this way.

For a time, Agustiano tried to mimic other musicians and musical styles: a productive, if over safe strategy. Still, it was also a bridge to a new sonic vantage point. From there, Agustiano saw exactly who Chong the Nomad was as an artist: a singular purveyor of sound. One track in particular of hers pointed the way.

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Cheat Codes Matthew Russell Explains What It Took To Get to “Heaven”

Musician Matthew Russell, member of the wildly popular electronic group, Cheat Codes, remembers being broke at 19-years-old. He’d recently moved to Los Angeles from St. Louis to pursue his dream of producing records. He’d also just dropped out of college. He’d enrolled to study music production but after learning it would be two years of general classes before he could touch Pro Tools, he quit. But walking the boulevards of L.A., he had an idea. He went into a bank, applied for a $10,000 loan, got it and bought his own equipment. He began learning from friends and YouTube tutorials. At the time, he was banking on hope. That bet would pay off as his soon-to-be trio would release songs that would earn millions of streams worldwide, including the band’s latest, “Heaven.”

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Nancy Wilson Recalls the Evolution of Heart

Nancy Wilson’s very first guitar was rented. The slashing six-string player, who rose to great fame along with her sister, Ann, in the rock ‘n’ roll band, Heart, had to struggle mightily with her first guitar. But it didn’t much matter. Nancy, who, upon laying eyes on The Beatles on television during their famed spot on the Ed Sullivan show, needed more than anything else to play a guitar. Whether it was old, beat up, out of shape, damn near impossible to play – that was ancillary. What mattered was the guitar. And today, in many ways, that’s still what matters for Nancy, who continues to write and record and, when not hampered by a pandemic, tour with her Hall of Fame band.

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Dope Lemon Shares What Went Into Writing His New Track, “Every Day A Holiday”

Australian singer-songwriter, Angus Stone, remembers falling asleep under tables as a child at weddings. His father, a professional wedding singer, would bring Stone and his sister, Julia, to gigs. And as the nights drew on, the siblings would find a spot and curl up, hidden by the long draped tablecloth linens, and dream as the band played. Absorbing the celebratory sonic energy waves that way meant it was likely just a matter of time before Stone (and his sister) would go on to follow in father’s footsteps – not as a wedding singer, necessarily, but certainly as a performer and songwriter. Today, Stone has released his latest offering, the new single, “Every Day A Holiday,” under his most recent moniker, Dope Lemon.

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