In the memoir Down and Out in Paris and London, George Orwell describes a time in his life, before he gained fame for books like 1984, when he worked as a cook, suffering abuse from his head chef and enduring long, nearly impossible days of hard labor. The memoir is fascinating for its depiction of a young person coming up in the service industry and how, in the early 20th century, the job was damn close to slave labor.
Read MoreIt still brings tears to Erik Blood’s eyes.
“It” being the final track on his new record, “Lost in Slow Motion,” which the Seattle producer will celebrate with a release show Saturday (April 30) at the High Dive.
Sinking into a small, orange-cushioned chair in his dark studio near the old Rainier Brewery, Blood seems lost in thought. He’s staring into space as “Out This Way” — that final track — plays on his monitors. He sips a cup of coffee, tears percolating in the corners of his eyes.
Read MoreBennifer. Charlize Theron and Sean Penn. Kermit and Miss Piggy. (I’m not quite over that last one.)
Couples break up all the time. And while each split is different, for me, the first three months were the hardest. My girlfriend of three years and I broke up around Christmas, and I’m starting to feel like a normal human being again.
Read MoreRapper Vince Staples — playing the Neptune Theatre on Wednesday (March 2) — understands that a great deal of life is contradiction.
That idea is succinctly summed up in his song “Lift Me Up,” the second track from his 2015 double-album release, “Summertime ’06,” in which he raps, “I need to fight the power, but I need that new Ferrari.”
Read MoreSeattle rapper Macklemore and producer Ryan Lewis showed a masterful aptitude for the concept song on their 2012 smash, “the Heist” — whether that meant tracks about thrift shopping, marriage equality or the dangers of sneaker culture. On their second, 13-track album, “This Unruly Mess I’ve Made,” they’ve moved in a slightly different direction, focusing on tight lyrics and a more celebratory vibe.
Read MoreJolie Holland, the lovely, fluttery-voiced singer famous for the songs “Littlest Bird” and “Old Fashioned Morphine,” is embarking on something brand new this month, but something that's also rooted deeply in her past: a tour with songwriter Samantha Parton along the West Coast and Canada.
Read MoreFrom Ozzy Osbourne’s throaty screams to Tony Iommi’s ribbons of guitar notes, Black Sabbath was Black Sabbath at least one more time Saturday (Feb. 6) at the Tacoma Dome.
It was the Northwest stop of the band’s final tour, billed as “The End.” It’s safe to say the expectations of the 20,000-plus fans there were met — and probably exceeded.
Read MoreGoogling your date — and finding only their marathon times and real estate records — is so 2009. Here are nine other websites that would be helpful in the dating world.
Want to know if she actually reads in between Facebooking? Check. Want to know who’s a closet racist? Check. Listen up, Silicon Valley angel investors!
Read MoreIf you wanted to see the show, you had to stand. If you wanted to see the band play the final song, “Rebirth of Slick (Cool Like Dat),” then you had to practically jump over audience members in front of you.
Read MoreTime travelers live among us.
Take, for example, Ishmael Butler, frontman for the classic ’90s rap group Digable Planets and the current avant-garde duo Shabazz Places. Both are playing Seattle this week — the former at the Moore Theatre on Wednesday (Dec. 30), marking the first reunion for Digable Planets since 2011.
Read More“Seasons change, mad things rearrange,” sang Lauryn Hill on The Fugees’ “How Many Mics.”
That message is appropriate for another trio born out of hip-hop, Seattle’s The Flavr Blue — Hollis Wong-Wear (lately with Macklemore), Lace Cadence and Parker Joe — who celebrate the release of their romantic EP, “Love Notes,” Thursday (Dec. 17) at Chop Suey.
Though the three musicians came from hip-hop, on the new album they are rebelling from the four-on-the-floor, boom-bap of rap and embracing a more spacious sound, with reverb guitars and big synthesizer swells.
Read MoreThe chance to interview Seahawks’ star cornerback Richard Sherman is an exciting proposition. With it, though, brings its share of questions, especially for a writer who has been at least a little critical of the man this season. Nevertheless, I was set to interview Sherman during the American Express Blue Friday event at the brand new Starbucks Reserve Roastery and Tasting Room on Capitol Hill.
Read MoreChad Nicefield is not ashamed to admit that he got into the whole music thing for the free beer. But as the sound of his band, Wilson, matured, so did its goals. Its focus has widened, turned into something more than the members themselves. The group has taken on the role of repping and bolstering its hometown of Detroit, a city that's seen its fair share of turmoil over the past decade.
"We're not ashamed to say we're products of our environment," Nicefield says during a phone interview while on tour with his band, supporting its latest full-length, Right to Rise. "Given all the hardships our city and families have gone through, we wanted to honor the stories of Detroit. It's not just about the rubble."
Read MoreOn January 30, Pearl Jam’s Mike McCready teamed up with the Seattle Symphony and an all-star cast of rock musicians – from bassist Duff McKagan to singers Chris Cornell and Kim Virant – at Benaroya Hall to perform original compositions as well as songs from the band, Mad Season. The night of music, part of SSO’s fifth annual Sonic Evolution Series, where well-known musicians write original works tailored specifically for the symphony, was laid to tape and will be released August 28 on vinyl. And there is only one man McCready would trust to master this project: Seattle’s Ed Brooks.
Read MoreIf you’ve ever seen the HBO comedy Silicon Valley–specifically the episode featuring the Tech Crunch Disrupt competition where start-up company Pied Piper wins for its data compression software–you might have an idea of what Microsoft’s Imagine Cup is like. Last Friday, thousands of bright developers and future Microsoft hopefuls came together to examine what’s next on the software horizon.
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