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Mick Jagger said he would call at 8 p.m.; the phone rang right on time. Kevin Parker, also known as the mastermind behind the Perth, Australia-based pulsating rock ‘n’ roll project Tame Impala, answered. Without even an assistant to formally introduce the two, there was Jagger’s voice – and the legend it belonged to was ready to discuss a remix for a song on a recent solo record.

“It was surreal,” Parker says. “But (Jagger) made it easy for me because he was so nice. We talked about the song and how he wrote it and we talked about what I could do with it. We had a couple of phone calls. I was expecting someone to connect the calls but it was just him, like, ‘Hello!’”

Parker highlights the uncommon interaction on one of the more poignant tracks from the latest Tame Impala record, The Slow Rush, released on Feb. 14. The song, “Posthumous Forgiveness,” is about his deceased father, who first introduced Parker to music, playing guitar around the house and listening to favorite artists during car rides. The track represents the two sides of Parker’s relationship with his dad. One side of the song is drenched in remorse and the other settled, resolved.

Los Angeles musician, Lauren Ruth Ward, belts a poignant lyric on her recent single, “Wise Gal,” from her forthcoming record, Vol. II (out March 16th), singing in reflection of her past, “I asked for sugar when I should have been making bread.” So much of what Ward stands for today as an artist is captured in that one line. The artist, who grew up in and around Baltimore, Maryland, has been on a continuous personal transformation ever since she put pen to paper to write her first chorus. 

Multi-instrumentalist Yuuki Matthews remembers talking with his dear friend and fellow musician, Richard Swift, on iMessager years ago. Matthews had just ended a stint on the road with Sufjan Stevens. Feeling bummed and unsure of his next move, he explained his situation to his friend. But, as was usually the case with Swift, he had an answer. He had just run into James Mercer, front man for The Shins at a wedding, who said the band was in need of a keys player and bassist for the tour. All of a sudden, there was hope. Soon Matthews and Swift were on the road playing with Mercer and The Shins.  

As a boy, Alex Brown Church, front man for the L.A.-based indie rock band, Sea Wolf, wanted to be a writer when he grew up. And while the musician is clearly talented, Church could never quite wrap his brain around composing lengthy novels or screenplays. But when he began to write songs, the contained brevity the style offered intrigued and inspired. Now, Church is set to release his sixth album, Through A Dark Wood, on March 20th to significant anticipation. 

For some, the band name “Thunderpussy” is hard to swallow. Some commercial radio stations, for example, won’t play songs from the Seattle-based rock ‘n’ roll band because DJ’s won’t say the name on-air. In fact, the four-piece has a case pending in the United States Supreme Court to determine whether or not the name is obscene and therefore not trademark-able. Nevertheless, the ladies of Thunderpussy persist on their musical trek, releasing new records (and music videos) and touring relentlessly.

New York City-based musician, Kassa Overall, knows what it’s like to feel trapped. The artist has spent two stints in a mental ward as a result of serious manic attacks. Ever since, he’s had to maintain vigilance over the highs and lows. But thanks to songwriting – a talent he’s made supremely mobile (more later) – Overall has found an outlet for his energies and better modes to understand his brain. And all of this is on display on Overall’s latest solo record, I Think I’m Good, out Friday.