Posts in Profiles
The Website That Asks What You Need and What You Can Give

Natasha Marin, the Seattle-based conceptual artist who created the donation website Reparations.me, which gets tens of thousands of clicks daily from all over the world, remains surprised at the number of people in need and how relatively little it takes to help.

“You think you know what’s going on,” she says, Facebook notifications dinging incessantly on her computer. “Then suddenly you’re facing this portal—like, wow, there are a lot of people out there that have no choice but to take a chance on this project. There are people who are dollars away from having their lives saved short-term. That’s shocking.”

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Seattle Virtuoso Quinton Morris Is Set to Open Violin Studio for Low-Income Students of Color

For Seattle University’s Quinton Morris, one of two tenured African-American violin professors in the United States, the violin is both an instrument and a seed. And with it Morris is growing a great forest—his most recent plot being south of Seattle, where he’s founded Key to Change, a violin studio with branches in Renton and Maple Valley for students of color with limited financial resources.

The studio’s origins began way back in the ’90s, when Hank Linear, then president of the Renton Black Parents Association, saw Morris had talent. Linear, through his organization, made it possible for Morris to attend college tuition-free and bought him his first violin. Now Morris wants to pay that generosity forward.

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New blood: Polymath Erik Blood releases an optimistic ‘breakup record’

It still brings tears to Erik Blood’s eyes. 

“It” being the final track on his new record, “Lost in Slow Motion,” which the Seattle producer will celebrate with a release show Saturday (April 30) at the High Dive. 

Sinking into a small, orange-cushioned chair in his dark studio near the old Rainier Brewery, Blood seems lost in thought. He’s staring into space as “Out This Way” — that final track — plays on his monitors. He sips a cup of coffee, tears percolating in the corners of his eyes.

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Wilson, Detroit Metal Band That Gave the World "College Gangbang," Hits Culture Room

Chad Nicefield is not ashamed to admit that he got into the whole music thing for the free beer. But as the sound of his band, Wilson, matured, so did its goals. Its focus has widened, turned into something more than the members themselves. The group has taken on the role of repping and bolstering its hometown of Detroit, a city that's seen its fair share of turmoil over the past decade.

"We're not ashamed to say we're products of our environment," Nicefield says during a phone interview while on tour with his band, supporting its latest full-length, Right to Rise. "Given all the hardships our city and families have gone through, we wanted to honor the stories of Detroit. It's not just about the rubble."

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ProfilesJake UittiNew Times
Ed Brooks Talks about Seattle's Diverse Sound

On January 30, Pearl Jam’s Mike McCready teamed up with the Seattle Symphony and an all-star cast of rock musicians – from bassist Duff McKagan to singers Chris Cornell and Kim Virant – at Benaroya Hall to perform original compositions as well as songs from the band, Mad Season. The night of music, part of SSO’s fifth annual Sonic Evolution Series, where well-known musicians write original works tailored specifically for the symphony, was laid to tape and will be released August 28 on vinyl. And there is only one man McCready would trust to master this project: Seattle’s Ed Brooks.

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The Monarch Drinks With Bruce Pavitt

By the time we’re cracking open fortune cookies, Bruce Pavitt and I find ourselves talking about Kurt Cobain and the idea of seclusion. That someone like Kurt, beautiful and stirring, at the height of world fame, needed the confidence and compassion of an inner circle of people to talk with. Kurt never seemed to have that—for whatever reason—says Bruce, solemnness to his voice.

It is the end of a fascinating conversation, with me mostly listening to the stories Bruce has about the genesis of the record label he founded—Sub Pop—his first record player, his forthcoming two books—one about a week in Europe with a crumbling Nirvana, the other a collection of his writings about Independent rock groups—and the idea of being relentless in the pursuit of your own aspirations.

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The Monarch Drinks With Megan Griffiths

Sutra, the restaurant film director Megan Griffiths chose for our rendezvous, is a cute little spot on the west end of Wallingford next door to a yoga studio of the same name. It serves delicacies like edible flowers from their backyard garden and begins each service with a gong and a moment of thanks for farmers. The whole thing is a stark contrast to the dark, human trafficking subject matter of Megan’s recent film, Eden, but somehow we found ourselves sharing a table ready to eat some artisan vegan cuisine, and set to talk movies.

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The Monarch Drinks With John Roderick

John Roderick stood center stage at the Alberta-Rose Theater in Portland, OR, telling jokes, stories and, later, playing his acoustic guitar, singing to the hundreds in the audience for NPR’s Live Wire show. A tall man, bearded, with glasses and a booming voice, John entertained. I was in the audience, having been given tickets by mutual friend and host of the show, Luke Burbank. I stared on attentively, listening to John’s stories and quips as he went back and forth with Luke.

I think about this performance now – about a month later – as I sit at the bar of Ruth’s Chris steakhouse in downtown Seattle waiting for John to come meet me for an interview. He strolls into the place a few minutes before seven. We shake hands and go to our table.

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