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When you hear Texas native, Leon Bridges, sing, you observe a galaxy of things. But the star around which all the man’s many attributes circle is most assuredly his innate sweetness. There’s gentleness and kindness embedded into all of his music and it’s because of these that Bridges’ soulful songwriting shines. And, not surprisingly, these same traits come through when you talk on the phone with the singer, who will perform tonight in Seattle at the WaMu Theater. But before the big show, we caught up with Bridges — who’s worked with Emerald City standouts, Macklemore and Odeaza, on recent tracks — to chat with him about his early days as a young musician at open mics, how he developed his other-worldly voice, and what he thinks about love at this stage in his life. His most recent full-length, Good Thing, is out now via Columbia.

Brooks Nielsen has a golden voice. The lead singer for the California-based “Beach Goth” band The Growlers, who play Seattle two nights this weekend at the Neptune Theater (Sep. 7th and 8th), sings like his vocal chords are made of precious metal-encrusted bouncy balls. The prolific group, which just released a B-sides album called, Casual Acquaintances, worked in the studio with Julian Casablancas of The Strokes, to produce a more condensed sonic vibe. And while The Growlers keep experimenting with their stuff, the band is perhaps best known for their deliciously eerie LP, Chinese Fountain, a pastiche of poetry and musical profundity. Prior to their upcoming Emerald City weekend shows, though, we wanted to catch up with Nielsen to ask him about The Growlers’ early days, how his vocal tone developed, and how he feels when he writes a new song.

Tacoma-born musician, Jerry Cantrell, is thought by many to be a guitar god. A co-founding member of the wildly popular grunge band, Alice In Chains, Cantrell’s prowess on the electric guitar along with his ability to write and sing devastating vocal harmonies, has carved out a place for him forever in rock ‘n’ roll history.

KEXP is excited to announce a new host for the Pacific Northwest’s longest-running local music radio show, Audioasis. Beginning September 8th, Eva Walker will become the new host of Audioasis on KEXP, airing 6-9 PM on Saturday evenings. Walker, of Seattle rock ‘n roll band The Black Tones, is a born and raised Seattleite, a music teacher, and a lover of music of all kinds.

The phone rang a few times and a woman picked up. “Hello?” It was one of his daughters. I could recognize her tone and cadence from the now infamous documentary, Searching For Sugar Man. I didn’t have a chance to ask for her name before she passed the phone along to her father, Sixto Rodriguez, the famed songwriter and star of the film. With a sweet, patient voice, Rodriguez asked how I was doing, to tell him something about myself. In the moments before the call, nerves shook me, but now, I was having a conversation with the writer of the songs “I Wonder” and “Cold Fact.” Throughout the chat, I also got to ask him about how he learned to write music, what it was like playing those first big shows in South Africa, and what he thinks about first when he wakes up in the morning.

With a new album, Digital Garbage, slated for release this September, the iconic Seattle rock band, Mudhoney, has achieved something many groups don’t: a career spanning four decades and 10 records in the books. With the throaty, charged singing of frontman, Mark Thomas McLaughlin (aka Mark Arm), Mudhoney has been a major part of the “grunge” pastiche in the Emerald City, helping to inspire the massive groups that followed. As the Sub Pop 30th anniversary approaches, we wanted to speak with Arm (a longtime Sub Pop veteran) to talk about the origins of his band, how his singing developed and what he learned from Green River, the early band he played in prior to forming Mudhoney.